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Synopsis
The notions of other peoples, cultures, and natural conditions have always been determined by the epistemology of imagination and fantasy, providing much freedom and creativity, and yet have also created much fear, anxiety, and horror. In this regard, the pre-modern world demonstrates striking parallels with our own insofar as the projections of alterity might be different by degrees, but they are fundamentally the same by content. Dreams, illusions, projections, concepts, hopes, utopias/dystopias, desires, and emotional attachments are as specific and impactful as the physical environment. This volume thus sheds important light on the various lenses used by people in the Middle Ages and the early modern age as to how they came to terms with their perceptions, images, and notions. Previous scholarship focused heavily on the history of mentality and history of emotions, whereas here the history of pre-modern imagination, and fantasy assumes center position. Imaginary things are taken seriously because medieval and early modern writers and artists clearly reveal their great significance in their works and their daily lives. This approach facilitates a new deep-structure analysis of pre-modern culture.
Imagination and Fantasy in the Middle Ages and Early Modern Time: content & age rating
Intended for adult readers (18+).
This is an 818-page academic scholarly work analyzing medieval and early modern imagination and fantasy through a historical and cultural studies lens. No narrative content concerns; suitable for college-level readers and adults interested in medieval studies.
What to know going in
This book has no graphic violence, no sexual content, and clean language.
Who'll love this
This scholarly analysis explores how people in medieval times imagined other cultures and the world around them through literature and art.